Jones brought very good point that I can say differently ( again arguing) -
traffic in museums very often depends on souvenir shops located close to the museum and sharing the profit with tour company who brings tourists after visiting the particular museum.
There are so many beautiful museums that located little bit far from the main road, the same situation with Archives - relocation from Historical centre somewhere keeps people away from visiting the archives at the beginning, at least.
Regards,
Alex Babin
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--- On Tue, 3/6/12, Jones, Virginia <[log in to unmask]> wrote:
From: Jones, Virginia <[log in to unmask]>
Subject: Re: [RM] Close and Personal With Your Digital Treasures - Thoughts? OT comment
To: [log in to unmask]
Received: Tuesday, March 6, 2012, 7:55 AM
When I lived in Florence, Italy in 1971, we used to "tag on" to various art and museum tours as they disgorged from the buses. The tours had definite agendas and short timeframes to cover them. I remember going into the Uffizi Gallery in Florence which houses an enormous number of artworks in a former Medici Palace, including Botticelli's Venus Rising from the Sea (also affectionately known as Venus on the Half-Shell http://tinyurl.com/84z7flp). The tour group was moved at a trot from one room to another, desperately trying to see everything at once. The ceilings of the Palace had been painted by a famous medieval artist (can't remember which one) and were very impressive. I remember the group stopping before a famous painting as the guide gave us a quick description and, as we were hurried forward, one of the group asking in a very loud voice - "who painted these magnificent ceilings"? without hesitation, the tour guide said "the ceilings
aren't important, the next p!
ainting we are about to see..... ." Sums up the group art tour experience very nicely.
Ginny Jones
(Virginia A. Jones, CRM, FAI)
Records Manager
Information Technology Division
Newport News Dept. of Public Utilities
Newport News, VA
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